Wood's dwelling,—a plain, substantial, commodious farm-house. His eyes closed. See paragraph 1. The
south or principal front, looking, down the Old Bailey, and not upon it, as is the
case of the present structure, with its massive walls of roughened freestone,—in
some places darkened by the smoke, in others blanched, by exposure to the
weather,—its heavy projecting cornice, its unglazed doubly-grated windows, its
gloomy porch decorated with fetters, and defended by an enormous iron door,
had a stern and striking effect. We thought of starting in half an hour’s time, and trying for a
theatre somewhere on the way. Why did you go back
to your old look? Don’t take it personally, Lucy, but
sometimes you look like you are trying to dress ‘poor’ or
something. She could not run, her limbs were
frozen. ~THE END~
[Illustration: Distinctive Pictures Photoplay The Ragged Edge
MIMI PALMERI AS RUTH ENSCHEDE ALFRED LUNT AS HOWARD
SPURLOCK]
[Illustration: Distinctive Pictures Photoplay The Ragged Edge
A SCENE FROM THE PHOTOPLAY]
[Illustration: Distinctive Pictures Photoplay The Ragged Edge
A SCENE FROM THE PHOTOPLAY]
[Illustration: Distinctive Pictures Photoplay The Ragged Edge
A SCENE FROM THE PHOTOPLAY]
End of the Project Gutenberg EBook of The Ragged Edge, by Harold MacGrath
*** END OF THIS PROJECT GUTENBERG EBOOK THE RAGGED EDGE
***
***** This file should be named 15614-8. As pretty as its owner. ‘Idiot!’
‘Enough, now! Softly, you little termagant,’ he ordered, seizing her wrists to
hold her off. I am sure. She formed a wild resolution, and, lest she
should waver from it, she set about at once to realize it. It arises, I think, from an over developed sense of humour. And, lastly,
there's Mr.
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