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So the talk went on, and presently they were criticising novelists, and certain daring essays of Wilkins got their due share of attention, and then they were discussing the future of the theatre. . Her secret thoughts made some hasty, half-hearted excursions into the possibility of telling the thing in romantic tones—Ramage was as a black villain, she as a white, fantastically white, maiden. A maidservant held the front door open. You're a queer lad. Her husband quickly joined the fray, making her giggle and laugh.
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